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Bo Derek is an American film actress and model.
An aspiring model, 16-year-old Bo Derek was introduced to actor/director/cinematographer John Derek in 1971. Just as he'd done with previous "protegés" Ursula Andress and Linda Evans, Derek literally molded her into a highly desirable superstar. In 1974, the 48-year-old Derek capped his makeover by marrying the 18-year-old Bo. In her first film, the Jaws rip-off Orca, Bo showed up long enough to have her lovely leg chewed off by a killer whale. Her next film was far more rewarding: Blake Edwards' 10 (1979), in which, bouncing along the beach in slow motion to the pulsating rhythms of Ravel's Bolero, the scantily clad, cornrow-coifed Bo became the instant object of star Dudley Moore's affections. An overnight pinup favorite, Bo followed her 10 triumph with a brace of adventure films directed by her husband: Tarzan the Ape Man (1981) and Bolero (1984). After six years away from films, she returned before the cameras in another Derek/Derek co-production, the unsuccessful Ghosts Can't Do It (1990). Bo Derek has since occasionally appeared in such films as the Italian Sognando La California (1991) and the American Woman of Desire (1994). Derek also appeared in Tommy Boy the 1995 comedy starring David Spade and Chris Farley.
In 2003, Derek played the mother of a sheltered wannabe named B-Rad (Jamie Kennedy), and joined the Miss Universe 2004 pageant as a judge. The actress appeared in several television series including 7th Heaven, Lucky, and Queen of Swords. In 2006, she took a leading role as a ruthless businesswoman in Fashion House, a telenovela drama series following the scandals and passions found within an elite corporation.
When not acting, Bo Derek participates in a number of political and social causes, including working on the behalves of disabeled veterans, serving as a spokeswoman for the Animal Welfare Institute’s campaign to put an end to the slaughter of horses. Derek is an avid equestrian and published an autobiography titled Everything That Matters in Life I Learned from Horses. ~ Hal Erickson, Rovi
Focusing on the here and now, the ISFP personality type will live life to the full, cherishing the present moment, and finding real pleasure in the more sensory and practical activities such as painting or handicrafts. They need an inner balance, a kind of karma for their lives and this means keeping things as uncomplicated as possible. Planning and control are not for the ISFP, they much prefer to stay in the background doing the things they like, keeping a balance, which includes choosing to remain, happily disorganised. Quiet supporters, rarely will an ISFP be the leader, preferring to remain behind the scenes, observing, understanding, but saying very little.
The ISFP is the astute observer of life, quiet, introspective and kindly. Harmony and respectfulness of values are so important to them. And although trust takes quite some time to establish, once it has been, the ISFP will be a solid and dependable friend. Yes, it will take some time to really get to know the inner values of an ISFP, but the reward will be a friend for life, a friend who will proactively anticipate problems and quietly support others. Conversely if trust is broken, the ISFP will (again quietly) walk away, no fuss, apparently passive but stubbornly refusing to engage again. Gentle supporters, the ISFP will prefer to remain behind the scenes, rather than lead, observing, understanding, but saying very little. There is a stubborn side to the ISFP, but this is more of a passive stubbornness, meaning they may say 'yes,' but mean 'no.' Their gentleness and thoughtfulness means that the ISFP can be an excellent mediator in the team, seeking out the positive and building harmony.
Patient and very flexible ISFPs follow the path of least resistance, rarely criticising the beliefs, actions or attitudes of others. This also means that they will not always stand against change but will instead internalise events and then accommodate for these events rather than trying to control or resist them. The desire for harmony at all costs also means that the ISFP may not voice their concerns, preferring to bottle up their feelings possibly for longer than is good for them. Their view is that to be forthcoming is to put your head above the parapet and the ISFP will not do that readily.
Focusing on the here and now, the ISFP will live life to the full, privately enjoying the present moment, and finding real pleasure in the more sensory and practical activities such as painting or handicrafts. Unlike the INFP who will be intensely future focused, the ISFP wants to remain in the concrete reality present until their need for experience is satiated and they move onto the next, new sensory experience. They need an inner balance, a kind of karma for their lives and this means keeping things as uncomplicated as possible. This need for balance and harmony may mean, however that the ISFP puts off a decision until the decision is made for them. Being so present-oriented they may neglect to plan or even try to glimpse into even the near future preferring to take life as it comes along. Planning and control are not for the ISFP, they much prefer to stay in the background doing the things they like, keeping a balance which also includes choosing to remain happily disorganised.
The downside of this is that the ISFP can be overly laid back and, unless it is important to their values, have 'one speed,' with little acceleration. The ISFP wants, and needs, a cooperative environment, where harmony is a first principle, and confrontation is kept to a minimum. Incredibly perceptive, ISFPs are ahead of the game and are usually the first to tune into the ‘new wave.’ Many ISFPs throw themselves into new fashions, ‘avant garde’ experiences, 'hip' trends, some even setting these trends. Their natural impulse hankers after freedom, and they often push off when others least expect it. The ISFP who continually represses these impulses will lack energy and may eventually push off anyway, towards anything provided it is different. Formal education is difficult for the majority of ISFPs, they prefer experiential learning, at which many excel. ISFPs will practice playing an instrument or honing a favoured skill such as painting for hours on end, not so much as practice as for the sheer joy of the experience.
Often confused with the INFP, ISFPs are less dreamers and less future oriented than INFPs, preferring to live out their sensory experiences and make them happen in real time, rather than enjoying imagining them in the future. They will internalise their feelings so much that they will be difficult to know, although sometimes these feelings will leak out at inappropriate times. The ISFP often project their reactions to their feelings, rather than the feeling itself.