Dario Argento

Dario Argento, born in Rome on September 7 1940, is an Italian director, known for his work in the giallo genre. He is the son of producer Salvatore Argento. He began his career as a movie critic for the Rome daily newspaper "Paese Sera". A professional screenwriter by the tender age of 20, he joined Bernardo Bertolucci to write the screenplay for Sergio Leone's epic western "Once Upon A Time In The West" in 1967. Many screenplays later, Argento was signed up by Goffredo Lombardo, head of an Italian film company (Titanus) and made his directing debut in 1970 with "The Bird With The Crystal Plumage". His father Salvatore was the producer on all his films up until "Deep Red" when Claudio Argento took over. He has always taken a great interest in all aspects of film making to ensure that the end results of his films are as near to his original vision as possible. One of the first directors to see the possibilities of the steady cam and the 'luma' crane, he used them npth to their full potential. He even helped compose the music for "Suspiria". Many of his films are considered to be 'giallo'. Giallo meaning yellow, which in turn came from the yellow covers of the penny-dreadful horror/thriller paperbacks that were sold in Italy. He has directed 15 films - 'The Bird with the Crystal Plumage', 'The Cat O Nine Tails', 'Five Days In Milan', 'Four Flies on Grey Velvet', 'Profondo Rosso', 'Suspiria', 'Inferno', 'Tenebrae', 'Phenomena', 'Opera', 'Two Evil Eyes', 'Trauma', 'The Stendhal Syndrome', 'Phantom of the Opera' and 'Non ho sonno (Sleepless)'. He has also been involved in producing/writing films for others such as his protege Michele Soavi. Argento has also worked on three series for Italian television. In 1972, 'The Door of Darkness', in 1987 'Giallo' and 'Turno di notte' in 1988. There are also three documentaries on Argento and his films, 'Dario Argento's World of Horror', 'Dario Argento: Master of Horror (Dario Argento's World of Horror 2)' and 'The World of Dario Argento 3'.

The INTP personality type is intellectually curious and enjoys the more complex and theoretical problems, often for their own sake. Practical application has little interest for them, preferring to identify the solutions and then leave someone else to plan the work. They do however like things done properly and have very high standards. The routine, the detail bores them rigid and they will put off completing tasks, especially those that they see as unnecessary, preferring to 'blitz' them nearer the deadline. For the INTP follow-through does not come naturally, and completion will be via huge bursts of energy at the last minute but it will be done.

INTPs are extremely independent, of thought and action, and will value trait that in others. They can play the team game, but then prefer to go and get on with it, working in sporadic bursts of energy. Although quite deep and private, the INTP can at times seem totally outspoken because of their directness of communication and economy of words. The INTP is blunt, to the point and would not be easily side-tracked. Other people may assume that the INTP says very little, but this is only when there is nothing to say. General chitchat or conversations with no purpose will bore them so they prefer to speak only about areas that interest them, things they consider important. There is an expedient side to the INTP character, and this means they will focus on their own interests and will immerse themselves in such activities. Their boredom threshold is low and once the activity becomes mundane, maintenance or about follow-through, the INTP will once again disappear into their own world of ideas, possibilities and the complex.

They do however dislike sloppy work or sloppy thinking or illogical arguments or poor enunciation. They are flexible, do not like to be fenced in but have very high standards. INTPs are cynical individuals, (they prefer to call themselves ‘realists!’), intensely logical, analytical and detached, they believe solely in the power of logic, finding it difficult to express or even to ‘do’ emotions. Rarely intimidated the INTP will work through even the most apparently momentous problems with the same logical demeanour and furrowed brow that they would display when doing Sudoku. Any problem is simply a problem and it will have a logical answer. Try and flatter an INTP and they will become very suspicious. Give an INTP a compliment and they’ll think, ‘what’s s/he after!’ They are very good at evaluating, seeing the flaws in any argument or the downside in any situation and their cup is always half empty, never half full.

INTPs are thoughtful, analytical characters. They may disappear so deeply into thought as to seem detached, and often actually are oblivious to the world around them, and the people in it. Precise, formal and proper, INTPs will often correct others should any shade of meaning be even slightly ambiguous. They may not want to do ‘it,’ but if it must be done then it should, indeed must, be done properly, according to agreed protocols, the INTP protocols.

The INTP is so independent of thought and in vehemently arguing a point they may very well be trying to convince themselves as much as the opposition. Getting to the heart of 'the truth' is extremely important to the INTP but will be as far as they will probably want to take it. Knowing ‘the truth,’ knowing they can back it up with logic is enough for them and they do not feel any need to prove it or to go further and demonstrate it to other people, indeed that would not be the INTP way.

Knowing they are right is all the INTP needs and then they can turn their thoughts privately to other logical, and interesting, activities. One INTP friend will only have lunch if it means sitting down with a ‘proper’ knife and fork, with ‘proper’ being the key word for him, obsessed with the ‘right’ ways of doing things and ‘right’ can be defined as what the INTP has concluded after much logical deliberation.