David Keith Lynch (born January 20, 1946) is an American filmmaker, painter, visual artist, musician, and writer. Known for his surrealist films, he has developed his own unique cinematic style, which has been dubbed "Lynchian", and which is characterized by its dream imagery and meticulous sound design. Indeed, the surreal and in many cases violent elements to his films have earned them the reputation that they "disturb, offend or mystify" their audiences.
Moving around various parts of the United States as a child within his middle class family, Lynch went on to study painting in Philadelphia, where he first made the transition to producing short films. Deciding to devote himself more fully to this medium, he moved to Los Angeles, where he produced his first motion picture, the surrealist horror Eraserhead (1977). After Eraserhead became a cult classic on the midnight movie circuit, Lynch was employed to direct The Elephant Man (1980), from which he gained mainstream success. Then being employed by the De Laurentiis Entertainment Group, he proceeded to make two films. First, the science-fiction epic Dune (1984), which proved to be a critical and commercial failure, and then a neo-noir crime film, Blue Velvet (1986), which was highly critically acclaimed.
Proceeding to create his own television series with Mark Frost, the highly popular murder mystery Twin Peaks (1990–1992), he also created a cinematic prequel, Fire Walk With Me (1992), a road movie, Wild at Heart (1990), and a family film, The Straight Story (1999) in the same period. Turning further towards surrealist filmmaking, three of his following films worked on "dream logic" non-linear narrative structures, Lost Highway (1997), Mulholland Drive (2001) and Inland Empire (2006).
Lynch has received three Academy Award nominations for Best Director, for his films The Elephant Man, Blue Velvet and Mulholland Drive, and also received a screenplay Academy Award nomination for The Elephant Man. Lynch has twice won France's César Award for Best Foreign Film, as well as the Palme d'Or at the Cannes Film Festival and a Golden Lion award for lifetime achievement at the Venice Film Festival. The French government awarded him the Legion of Honor, the country's top civilian honor, as a Chevalier in 2002 and then an Officier in 2007, while that same year, The Guardian described Lynch as "the most important director of this era". Allmovie called him "the Renaissance man of modern American filmmaking", whilst the success of his films have led to him being labelled "the first popular Surrealist".
To the INFP personality types life is a long quest for meaning and harmony and their personal values are so important to them. This means that it is essential to the INFP that their beliefs and their actions are totally in sync at all times. An INFP is unlikely to take any action which they don’t believe in their heart is right. Yet there is a crusading side to the INFP which would surprise even those who knew the person well. When a personal value, or belief is trodden on, then the INFP can become outspoken and turn on the transgressor. They are so private that their values are usually well hidden so that other people may not realise, but the INFP becomes like a champion of the cause and will be expressive, animated and at times go for the jugular.
The INFP has two contrary characteristics, curiosity and shyness. They love to know what's going on, feel excluded if not kept informed but prefer to be more in the background and not wanting to be the centre of attention. The INFP always wants to be invited to the party - even though the chances are they won't show up. There is a sensitive, caring side to the INFP which means they will be see the interconnections between people and pick up on the verbal and non-verbal cues.
Sensitive, caring and empathetic INFPs are excellent in supporting roles where people have to be looked after - especially if those people are close to the INFP. Because it can take so long (if ever) to get to know the INFP, others paradoxically may see them as slightly aloof, as they engage best when they have allowed someone into their inner sanctum. Optimistic and extremely positive, INFPs are the ultimate dreamers. Forward thinking and focused, they love the possibilities that life might bring.
An INFP does not like to be categorised. They value their autonomy, and feel 'different,' and any system, (including this one), which tries to 'define' or 'explain' them would be denigrated. The INFP would say, 'You can't put me in a box, I'm different,' indeed they would all say this. Optimistic and extremely positive, INFPs are the ultimate dreamers. Forward thinking and focused, they love the possibilities that life might bring. INFPs are extremely future oriented individuals who enjoy flights of fancy and savour potential and the many possibilities unlike their ISFP counterparts, who prefer to stop and savour the sensory, real experiences of “this moment” to the maximum. The ISFP will look down, immersing themselves in actual experiences whilst the INFP will always look up and forward, dreaming big dreams and loving the anticipation of what might come.
INFPs have the ability to see good in almost anyone or anything. Even for the most unlovable individual the INFP can have (often misplaced) empathy and even pity. Their extreme depth of feeling is often hidden, even from themselves, until circumstances see them project a seemingly uncharacteristic impassioned, and extraverted, response. Of course, life is not always harmonious, so INFPs are not immune from all of life’s problems, frustrations and disappointments that we all face.
However, they feel a duty to a higher calling, the greater good. So, although essentially idealists and extremely gentle individuals, INFPs, when their values are contravened, can adopt a more strident, crusading ESTJ type of role, to sort things out, which will surprise even close friends who have only seen the gentle, quiet soul. But then, once they’ve made their point, their energies will be depleted, and they will disappear back to their own, quiet, introverted world of possibilities and harmony, often questioning whether they should have been so harsh and worried that they haven’t either shown too much of themselves (always a concern for the extremely private INFP) or, worse still, that they might have caused hurt to someone, which is never their intention.
Choose another celebrity type to compare side by side the different approaches work, attitudes to conflict and the way they engage with others.