Dustin Lee Hoffman (born August 8, 1937) is an American actor and filmmaker. He is known for his versatile portrayals of antiheroes and emotionally vulnerable characters. Actor Robert De Niro described him as "an actor with the everyman's face who embodied the heartbreakingly human". At a young age Hoffman knew he wanted to study in the arts, and entered into the Los Angeles Conservatory of Music; later he decided to go into acting, for which he trained at the Pasadena Playhouse in Los Angeles. His first theatrical performance was 1961's A Cook for Mr. General as Ridzinski. During that time he appeared in several guest roles on television shows like Naked City and The Defenders. He then starred in the 1966 off-Broadway play Eh? where his performance garnered him both a Theatre World Award and Drama Desk Award.
His breakthrough role was as Benjamin Braddock in Mike Nichols' critically acclaimed and iconic film The Graduate (1967), for which he received his first Academy Award nomination. His next role was "Ratso" Rizzo in John Schlesinger's Midnight Cowboy (1969), in which he acted alongside Jon Voight; they both received Oscar nominations, and the film went on to win the Academy Award for Best Picture. He gained success in the 1970s playing roles that shaped the craft of his acting, crossing genres effortlessly in the western Little Big Man (1970), the prison drama Papillon (1973), playing a controversial and groundbreaking comedian in Bob Fosse's Lenny (1975), Marathon Man alongside Laurence Olivier (1976), and as Carl Bernstein investigating the Watergate scandal in All the President's Men (1976). In 1979, Hoffman starred in the family drama Kramer vs. Kramer alongside Meryl Streep. They both received Academy Awards for their performances.
After a three-year break from films, Hoffman returned in Sydney Pollack's show business comedy Tootsie (1982) about a struggling actor who pretends to be a woman in order to get an acting role. He returned to stage acting with a 1984 performance as Willy Loman in Death of a Salesman and reprised the role a year later in a television film earning a Primetime Emmy Award. In 1987 he starred alongside Warren Beatty in Elaine May's comedy Ishtar. He won his second Academy Award for Best Actor for his portrayal of the autistic savant Ray Babbitt in the 1988 film Rain Man, co-starring Tom Cruise. In 1989, he was nominated for a Tony Award and a Drama Desk Award for playing Shylock in a stage performance of The Merchant of Venice. In the 1990s, he made appearances in such films as Warren Beatty's action comedy adaptation Dick Tracy (1990), Steven Spielberg's Hook (1991) as Captain Hook, medical disaster Outbreak (1995), legal crime drama Sleepers (1996), and the satirical black comedy Wag the Dog (1997) alongside Robert De Niro.
The INTP personality type is intellectually curious and enjoys the more complex and theoretical problems, often for their own sake. Practical application has little interest for them, preferring to identify the solutions and then leave someone else to plan the work. They do however like things done properly and have very high standards. The routine, the detail bores them rigid and they will put off completing tasks, especially those that they see as unnecessary, preferring to 'blitz' them nearer the deadline. For the INTP follow-through does not come naturally, and completion will be via huge bursts of energy at the last minute but it will be done.
INTPs are extremely independent, of thought and action, and will value trait that in others. They can play the team game, but then prefer to go and get on with it, working in sporadic bursts of energy. Although quite deep and private, the INTP can at times seem totally outspoken because of their directness of communication and economy of words. The INTP is blunt, to the point and would not be easily side-tracked. Other people may assume that the INTP says very little, but this is only when there is nothing to say. General chitchat or conversations with no purpose will bore them so they prefer to speak only about areas that interest them, things they consider important. There is an expedient side to the INTP character, and this means they will focus on their own interests and will immerse themselves in such activities. Their boredom threshold is low and once the activity becomes mundane, maintenance or about follow-through, the INTP will once again disappear into their own world of ideas, possibilities and the complex.
They do however dislike sloppy work or sloppy thinking or illogical arguments or poor enunciation. They are flexible, do not like to be fenced in but have very high standards. INTPs are cynical individuals, (they prefer to call themselves ‘realists!’), intensely logical, analytical and detached, they believe solely in the power of logic, finding it difficult to express or even to ‘do’ emotions. Rarely intimidated the INTP will work through even the most apparently momentous problems with the same logical demeanour and furrowed brow that they would display when doing Sudoku. Any problem is simply a problem and it will have a logical answer. Try and flatter an INTP and they will become very suspicious. Give an INTP a compliment and they’ll think, ‘what’s s/he after!’ They are very good at evaluating, seeing the flaws in any argument or the downside in any situation and their cup is always half empty, never half full.
INTPs are thoughtful, analytical characters. They may disappear so deeply into thought as to seem detached, and often actually are oblivious to the world around them, and the people in it. Precise, formal and proper, INTPs will often correct others should any shade of meaning be even slightly ambiguous. They may not want to do ‘it,’ but if it must be done then it should, indeed must, be done properly, according to agreed protocols, the INTP protocols.
The INTP is so independent of thought and in vehemently arguing a point they may very well be trying to convince themselves as much as the opposition. Getting to the heart of 'the truth' is extremely important to the INTP but will be as far as they will probably want to take it. Knowing ‘the truth,’ knowing they can back it up with logic is enough for them and they do not feel any need to prove it or to go further and demonstrate it to other people, indeed that would not be the INTP way.
Knowing they are right is all the INTP needs and then they can turn their thoughts privately to other logical, and interesting, activities. One INTP friend will only have lunch if it means sitting down with a ‘proper’ knife and fork, with ‘proper’ being the key word for him, obsessed with the ‘right’ ways of doing things and ‘right’ can be defined as what the INTP has concluded after much logical deliberation.
Choose another celebrity type to compare side by side the different approaches work, attitudes to conflict and the way they engage with others.
