Henry Fonda

Henry Jaynes Fonda (May 16, 1905 – August 12, 1982) was an American actor who had a career that spanned five decades in Hollywood. Fonda cultivated a strong, appealing screen image in several films now considered to be classics, earning one Academy Award for Best Actor on two nominations.

Fonda made his mark early as a Broadway actor and made his Hollywood film debut in 1935. His film career began to gain momentum with roles such as Bette Davis's fiancee in her Academy Award-winning performance in Jezebel (1938), brother Frank in Jesse James (1939), and the future President in Young Mr. Lincoln (1939), directed by John Ford. His early career peaked with his Academy Award-nominated performance as Tom Joad in The Grapes of Wrath, about an Oklahoma family who moved to California during the Dust Bowl 1930s. This film is widely considered to be among the greatest American films.

In 1941 he starred opposite Barbara Stanwyck in the screwball comedy classic The Lady Eve. Book-ending his service in WWII were his starring roles in two highly regarded westerns: The Ox-Bow Incident (1943) and My Darling Clementine (1946), the latter directed by John Ford, and he also starred in Ford's western Fort Apache (1948). After a seven-year break from films, during which Fonda focused on stage productions, he returned with the WWII war-boat ensemble Mister Roberts (1955). In 1957 he starred as Juror No.8, the hold-out juror, in 12 Angry Men. Fonda, who was also co-producer, won the BAFTA for Best Foreign Actor.

Later in his career, Fonda moved into darker roles, such as the villain in the epic Once Upon a Time in the West (1968), underrated and a box office disappointment at its time of release, but now regarded as one of the best westerns of all time. He also played in lighter-hearted fare such as Yours, Mine and Ours with Lucille Ball, but also often played important military figures, such as a Colonel in Battle of the Bulge (1965), and Admiral Nimitz in Midway (1976). He finally won the Academy Award for Best Actor at the 54th Academy Awards for his final film role in On Golden Pond (1981), which also starred Katharine Hepburn and his daughter Jane Fonda, but was too ill to attend the ceremony. He died from heart disease a few months later.

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Focusing on the here and now, the ISFP personality type will live life to the full, cherishing the present moment, and finding real pleasure in the more sensory and practical activities such as painting or handicrafts. They need an inner balance, a kind of karma for their lives and this means keeping things as uncomplicated as possible. Planning and control are not for the ISFP, they much prefer to stay in the background doing the things they like, keeping a balance, which includes choosing to remain, happily disorganised. Quiet supporters, rarely will an ISFP be the leader, preferring to remain behind the scenes, observing, understanding, but saying very little.

The ISFP is the astute observer of life, quiet, introspective and kindly. Harmony and respectfulness of values are so important to them. And although trust takes quite some time to establish, once it has been, the ISFP will be a solid and dependable friend. Yes, it will take some time to really get to know the inner values of an ISFP, but the reward will be a friend for life, a friend who will proactively anticipate problems and quietly support others. Conversely if trust is broken, the ISFP will (again quietly) walk away, no fuss, apparently passive but stubbornly refusing to engage again. Gentle supporters, the ISFP will prefer to remain behind the scenes, rather than lead, observing, understanding, but saying very little. There is a stubborn side to the ISFP, but this is more of a passive stubbornness, meaning they may say 'yes,' but mean 'no.' Their gentleness and thoughtfulness means that the ISFP can be an excellent mediator in the team, seeking out the positive and building harmony.

Patient and very flexible ISFPs follow the path of least resistance, rarely criticising the beliefs, actions or attitudes of others. This also means that they will not always stand against change but will instead internalise events and then accommodate for these events rather than trying to control or resist them. The desire for harmony at all costs also means that the ISFP may not voice their concerns, preferring to bottle up their feelings possibly for longer than is good for them. Their view is that to be forthcoming is to put your head above the parapet and the ISFP will not do that readily.

Focusing on the here and now, the ISFP will live life to the full, privately enjoying the present moment, and finding real pleasure in the more sensory and practical activities such as painting or handicrafts. Unlike the INFP who will be intensely future focused, the ISFP wants to remain in the concrete reality present until their need for experience is satiated and they move onto the next, new sensory experience. They need an inner balance, a kind of karma for their lives and this means keeping things as uncomplicated as possible. This need for balance and harmony may mean, however that the ISFP puts off a decision until the decision is made for them. Being so present-oriented they may neglect to plan or even try to glimpse into even the near future preferring to take life as it comes along. Planning and control are not for the ISFP, they much prefer to stay in the background doing the things they like, keeping a balance which also includes choosing to remain happily disorganised.

The downside of this is that the ISFP can be overly laid back and, unless it is important to their values, have 'one speed,' with little acceleration. The ISFP wants, and needs, a cooperative environment, where harmony is a first principle, and confrontation is kept to a minimum. Incredibly perceptive, ISFPs are ahead of the game and are usually the first to tune into the ‘new wave.’ Many ISFPs throw themselves into new fashions, ‘avant garde’ experiences, 'hip' trends, some even setting these trends. Their natural impulse hankers after freedom, and they often push off when others least expect it. The ISFP who continually represses these impulses will lack energy and may eventually push off anyway, towards anything provided it is different. Formal education is difficult for the majority of ISFPs, they prefer experiential learning, at which many excel. ISFPs will practice playing an instrument or honing a favoured skill such as painting for hours on end, not so much as practice as for the sheer joy of the experience.

Often confused with the INFP, ISFPs are less dreamers and less future oriented than INFPs, preferring to live out their sensory experiences and make them happen in real time, rather than enjoying imagining them in the future. They will internalise their feelings so much that they will be difficult to know, although sometimes these feelings will leak out at inappropriate times. The ISFP often project their reactions to their feelings, rather than the feeling itself.