Juliette Lewis

Juliette Lake Lewis (born June 21, 1973) is an American actress and singer. She is known for her portrayals of offbeat characters, often in films with dark themes. Lewis became an "it girl" of American cinema in the early 1990s, appearing in various independent and arthouse films. Her accolades include a Pasinetti Award, one Academy Award nomination, one Golden Globe nomination, and a Primetime Emmy Award nomination.

The daughter of character actor Geoffrey Lewis, Lewis began her career in television at age 14 before being cast in her first major film role as Audrey Griswold in National Lampoon's Christmas Vacation (1989). She garnered international notice for her role in Martin Scorsese's remake of Cape Fear (1991), which saw Lewis nominated for an Academy Award for Best Supporting Actress, as well as the Golden Globe in the same category.

Following the success of Cape Fear, Lewis had a supporting role in Woody Allen's Husbands and Wives (1992), followed by the thriller Kalifornia (1993) in which she portrayed a childlike woman whose boyfriend is a serial killer. She appeared in the drama What's Eating Gilbert Grape (also 1993), playing a young drifter. Lewis gained further notice for her lead role as Mallory Knox in Oliver Stone's controversial satirical crime film Natural Born Killers (1994), which earned her the Pasinetti Award for Best Actress at the Venice Film Festival. She subsequently starred in Kathryn Bigelow's science fiction film Strange Days (1995), and Robert Rodriguez's vampire film From Dusk Till Dawn (1996). In 1999, Lewis had a leading role in the drama The Other Sister as a woman with mental disabilities.

The 2000s saw Lewis appearing in a series of supporting roles in independent features and studio films, and in 2003 she earned an Emmy nomination for Outstanding Supporting Actress for her role in Hysterical Blindness (2002). She went on to appear in supporting parts in such comedies as Old School (2003) and Starsky & Hutch (2004), and embarked on a musical career in 2003, forming the rock band Juliette and the Licks; in 2009, Lewis began releasing material as a solo artist. Subsequent film roles include the sports comedy Whip It (2009), the biographical crime film Conviction (2010), an American romantic comedy The Switch (2010) and the drama August: Osage County (2013). Starting in the later 2010s, Lewis worked more frequently in television, appearing in lead roles on the series The Firm (2012), Wayward Pines (2015), Secrets and Lies (2015–2016), The Act (2019), and Yellowjackets (2021).

Life-loving, people-centric thrill seekers, the ESFP personality type is interested in people and experiences throwing themselves into relationships and life in general, they have a genuine interest in others and their dislike of rules and routine, are justified by their view that their reason for existing is to bring harmony, sympathy and support to peoples' lives so they may slide out of regulations or obligations on the grounds that: 'I just had to do something to help.' The keywords here are 'do' and 'help;' caring and practical in equal measure. The ESFP has an ability to make others feel so special. Down to earth and practical, ESFPs live in the here and now preferring to take life as it comes with the optimistic view that it’s bound to be good, (and if it isn’t then there’s always next time!).

If there is a crisis, the ESFP will be there, taking charge, offering support, revelling in their ability to help, loving the drama. Their energies and infectious enthusiasm, mean that other people will like them, and they will build relationships easily and often. The ability of the ESFP to drop everything and provide immediate, practical support may come at the expense of an ability to plan, schedule and prioritise. However, those on the receiving end will be grateful and left feeling really special. This may also cause a blurring between social time and work time, and the immediacy of the issue will, for the ESFP, be paramount and so it may be difficult to put an issue to 'one side' until a task is completed, or it is time to go home, etc.

The ESFP is not naturally good at follow-through, and will impulsively follow only their own urges, which tend to be the needs of others. Through meeting the needs of others, their own needs are also met; there is a paradoxical self-indulgence in indulging others. On the positive side the ESFP has an ability to make others feel so special, be excellent 'glue' for a team, and good at maintaining morale. As their decisions will be emotional and values-based, people will feel that they are valued and special and, whilst meetings may last longer than average, and little planning gets done, everyone leaves feeling part of something good and indeed feeling good.

The desire to make work a fun place may also cause difficulties in that an ESFP may not be able to take the hard decision - they prefer harmony and fun. This pragmatic desire to help, and do so immediately, means the ESFP will not respond well to being time-bound, or locked into a project. They live primarily in the moment and longer term for the ESFP might be Saturday, probably Friday. The ESFP likes concrete, material things and will take pride in their appearance and fill their lives with lots of experiences, jumping from one to the next in a breathless flurry. This can see them over-commit and take on too much, but their carefree nature means they will tend to charm their way through. As they want (indeed need) to experience everything, the ESFP may well have trouble prioritising as their focus is only for ‘now’ and so follow through won’t come naturally, and they’ll look to leave as many options open as possible, although the ‘F’ side means they will feel genuinely guilty when they let people down. The spontaneous, impulsive nature of this character is almost always entertaining and brings a smile to even the most serious of situations.

Primarily of the moment, extraverted and people-centric ESFPs do not like logic, analysis or abstraction or even thinking too deeply as it is difficult, time-consuming and energy sapping and it takes the focus away from the boundless things to be experienced - and it’s not very much fun. So let’s party!