Maria Bethânia Viana Teles Veloso (born 18 June 1946) is a Brazilian singer and songwriter. Born in Santo Amaro, Bahia, she started her career in Rio de Janeiro in 1964 with the show "Opinião" ("Opinion"). Due to its popularity, with performances all over the country, and the popularity of her 1965 single "Carcará", the artist became a star in Brazil.
Bethânia is the sister of the singer-songwriter Caetano Veloso and of the writer-songwriter Mabel Velloso, as well as being aunt of the singers Belô Velloso and Jota Velloso. The singer has released 50 studio albums in 47 years of career, and is among the 10 best-selling music artists in Brazil, having sold more than 26 million records. Bethânia was ranked in 2012, by Rolling Stone Brasil magazine, as the fifth-biggest voice of Brazilian music.
Bethânia is the sixth out of eight children born into the family of José Telles Veloso (Seu Zeca), a government official, and Claudionor Viana Telles Veloso (Dona Canô), a housewife.
The name Maria Bethânia was chosen by her brother Caetano Veloso after the homonymous hit song written by composer Capiba and famous at the time in the voice of Nélson Gonçalves.
In her childhood, she had aspirations to become an actress. However, her mother was a musician, so music was prevalent in the Veloso household. Though Bethânia was born in Santo Amaro da Purifição, her family moved to Salvador, Bahia when she was 13. The move allowed her to experience the bohemian, intellectual circles of the city, as well as to visit theaters. When she was 16, her brother Caetano Veloso invited her to sing in a film for which he was producing the soundtrack, but she refused. Nevertheless, the film's director, Álvaro Guimarães, liked her voice and invited the young musician to perform in the 1963 Nélson Rodrigues's musical Boca de Ouro. This time Bethânia accepted, and for the first time in her life she went on stage to sing for an audience, opening the play performing a samba by Ataulfo Alves.
That same year, Bethãnia and her sister met singers Gilberto Gil and Gal Costa; Caetano had been invited to put on an MPB show to inaugurate the Teatro Vila Velha. The four artists got together and, in 1964, staged Nós, por exemplo (We, for example).
The show was a success and was presented again twenty months later, with the participation of singer-songwriter Tom Zé. That same year, the group mounted another show called Nova Bossa Velha e Velha Bossa Nova (New Old Bossa and Old New Bossa). Still in that year, directed by Caetano and Gil, Bethânia performed another musical, this time on her own, called Mora na Filosofia (Lives in Philosophy).
She began performing again with her brother, as well as Gilberto Gil, Gal Costa, and Tom Zé, at the opening of the Vila Velha Theater in the next year. During one of these performances, the bossa nova musician Nara Leão offered her an opportunity to take her place in a series of performances titled "Opinião". ...
Source: Article "Maria Bethânia" from Wikipedia in english, licensed under CC-BY-SA 3.0.
The ISTP will be full-on, or full off - they don’t do shades of grey. The ISTP personality type moves seamlessly from quiet bystander to active participant and leader in one fell swoop, then back again to invisible, apparently disinterested introvert. They are at their best in times of crisis and challenge, but will have little appetite for follow-through, as they will be waiting for the next challenge. Independent and self-contained the ISTP, although not unfriendly, will be difficult to get to know as they tend to reveal only what they choose to and that is over time when they are ready.
The ISTP is one of the most complex character types either in the thick of the action, leading and solving problems, or with nothing to say. The issue is they only say what needs to be said, they are economic in the extreme. This is because ISTPs are driven purely by challenge and this will determine how involved they want to be, how big is the challenge? They are at their best in times of crisis as they need very little preparation and able to cut to the chase with no preamble or discussion with others, spontaneously jumping in to solve problems or deal with crises often surprising those who had seen them as on the periphery of things. However, once the task is finished or problem solved, they will be looking for the next big thing to throw themselves into.
The ISTP is self-sufficient and very independent, only really happy when undertaking some risky or interesting activity. Direct to the point of abruptness and tending at times to tread on toes, the ISTP tends to speak literally showing little concern for the impact, and they display coolness under pressure which helps get things fixed but which may not endear them to those around them, (even those for whom they’ve fixed something). They are not unfriendly individuals but ultimately the ISTP wants to be left alone to live their lives and do their jobs the way they see fit, rarely trying to control others and expecting others not to try to control them. But in a crisis, or when the situation needs in-depth understanding, the ISTP will thrive, at least until the crisis is over. Once they are clear on what needs to be done, they will be difficult to budge and will potentially move too quickly without thinking through all the implications as they just love the thrill of action. The switch may appear as from someone who is almost exclusively listening to someone who just doesn't listen. The ISTP dislikes theories and complexities, preferring facts and data which will help get the job done in the quickest possible time and with the minimum amount of effort.
The ISTP is the ultimate trouble-shooter, able to unpick and understand how things fit together and then fix them. The ISTP doesn’t follow social rules, nor do they need to engage fully with others and this can give them a distant, aloof persona to others who often don’t quite know where they stand. Practical, resourceful, adaptable pragmatists, ISTPs have excellent powers of observation, a capacity for understanding how anything works, displaying logical, detached analysis. The ISTP has a great ability to analyse facts and store data. This is all internalised, stored in the grey filing cabinets in the brain until called for. Then, when someone argues with the ISTP, the facts, data, empirical evidence, knowledge are brought quickly to bear to quash the argument, quickly and finally. The independent streak in the ISTP means that they will usually display confidence in their own abilities but means they may not bring others into the decision-making process. They are quick and economic and so their desire to get a result in the minimum amount of time and fuss means they may overlook the personal touch and make them fail to see the 'bigger picture,' and so, by quickly solving a problem, they may create another.
The ISTP is very difficult to read. Their areas of interest tend to be mechanical and physical but unlike most SPs they don’t need constant action, they actually lie low, storing all the data saving their energy until a project or an adventure they consider worth their time and effort arises, and then they launch themselves in completely. They work in short bursts of incredible energy, loving fixing and sorting, especially factual mechanical issues but, when it's over it's over, no reflection, no discussion, no hanging in there, they've gone.
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