Nicoletta

Nicoletta Grisoni, longer name Nicole Fernande Grisoni-Chappuis, better known by her mononym Nicoletta (born 11 April 1944 in Vongy, now known as Thonon-les-Bains, Haute-Savoie, France) is a French pop singer. Becoming very popular on French radio and television, where she had a number of hits in the 1960s and the 1970s, she was considered as part of what is known as the French yé-yé generation heavily influenced by American music, particularly Rhythm and blues, Rock and roll and Beat music. She is mostly known for her version of "Mamy Blue".

Nicoletta Grisoni was reportedly born of a mentally retarded woman who got pregnant as a result of rape. She reportedly chose the song "Mamy Blue" as a tribute to her mother. The original of the song was that of Spanish band Los Pop-Tops and had been subject of many interpretations.

She began her music as a member of her local church choir. She worked for a while in a laundry and at a medical clinic in addition to DJ-ing in the beginning 1960s developing contacts. Encouraged by French songwriter Léo Missir, she was signed to Barclay. Her initial hits included "L'Homme à la moto" (an earlier Edith Piaf song), "Pour oublier qu'on s'est aimé" (from Nino Ferrer, and "Encore un jour sans toi" (co-written by Guy Marchand and Léo Missir).

1967 saw the release of "La Musique" (adaptation from Ann Grégory), and "Il est mort le soleil", written by Pierre Delanoë and music by Hubert Giraud. The song was adapted and interpreted later on by Ray Charles under the title "The Sun Died", also covered by Tom Jones. As activist, she campaigned against play-back music insisting to sing live in her appearances on television. She also supported the French general strike in May 1968, singing in its support.

In 1971, she recorded a French version of "Mamy Blue", a gospel song composed by Hubert Giraud with massive success. It was a hit in many countries outside France as well. In 1973, she founded her own record label, "Rapa Nui", for producing and launching new talents. The same year she released "Fio Maravilla", another big hit for her. The origin was a Brazilian hit from Jorge Ben Jor about soccer player Fio Maravilha, adapted to French by lyricist Boris Bergman. In 1976, her French version of The Battle Hymn of the Republic, titled "Glory Alleluia" with new French lyrics and arrangement by André Pascal, became a Christmas hit.

After a hiatus because of her marriage and bearing a child, she returned to music in 1983 with "Idées noires", as a duo with Bernard Lavilliers. In 1987, she took part in the opera Grandeur et décadence de la ville de Mahagonny (a French version of Rise and Fall of the City of Mahagonny by Kurt Weill and Bertolt Brecht), playing the role of Jenny in the opera. The same year, she also took role of Esméralda in the musical comedy Quasimodo based on Victor Hugo's The Hunchback of Notre-Dame composed by William Sheller.

In the beginning of the 1990s, she suffered great financial problems despite releasing quality interpretations with collaborations from William Sheller, Richard Cocciante, Pierre Delanoë and taking part in galas. ...

Source: Article "Nicoletta (singer)" from Wikipedia in English, licensed under CC-BY-SA 3.0.

To the INFP personality types life is a long quest for meaning and harmony and their personal values are so important to them. This means that it is essential to the INFP that their beliefs and their actions are totally in sync at all times. An INFP is unlikely to take any action which they don’t believe in their heart is right. Yet there is a crusading side to the INFP which would surprise even those who knew the person well. When a personal value, or belief is trodden on, then the INFP can become outspoken and turn on the transgressor. They are so private that their values are usually well hidden so that other people may not realise, but the INFP becomes like a champion of the cause and will be expressive, animated and at times go for the jugular.

The INFP has two contrary characteristics, curiosity and shyness. They love to know what's going on, feel excluded if not kept informed but prefer to be more in the background and not wanting to be the centre of attention. The INFP always wants to be invited to the party - even though the chances are they won't show up. There is a sensitive, caring side to the INFP which means they will be see the interconnections between people and pick up on the verbal and non-verbal cues.

Sensitive, caring and empathetic INFPs are excellent in supporting roles where people have to be looked after - especially if those people are close to the INFP. Because it can take so long (if ever) to get to know the INFP, others paradoxically may see them as slightly aloof, as they engage best when they have allowed someone into their inner sanctum. Optimistic and extremely positive, INFPs are the ultimate dreamers. Forward thinking and focused, they love the possibilities that life might bring.

An INFP does not like to be categorised. They value their autonomy, and feel 'different,' and any system, (including this one), which tries to 'define' or 'explain' them would be denigrated. The INFP would say, 'You can't put me in a box, I'm different,' indeed they would all say this. Optimistic and extremely positive, INFPs are the ultimate dreamers. Forward thinking and focused, they love the possibilities that life might bring. INFPs are extremely future oriented individuals who enjoy flights of fancy and savour potential and the many possibilities unlike their ISFP counterparts, who prefer to stop and savour the sensory, real experiences of “this moment” to the maximum. The ISFP will look down, immersing themselves in actual experiences whilst the INFP will always look up and forward, dreaming big dreams and loving the anticipation of what might come.

INFPs have the ability to see good in almost anyone or anything. Even for the most unlovable individual the INFP can have (often misplaced) empathy and even pity. Their extreme depth of feeling is often hidden, even from themselves, until circumstances see them project a seemingly uncharacteristic impassioned, and extraverted, response. Of course, life is not always harmonious, so INFPs are not immune from all of life’s problems, frustrations and disappointments that we all face.

However, they feel a duty to a higher calling, the greater good. So, although essentially idealists and extremely gentle individuals, INFPs, when their values are contravened, can adopt a more strident, crusading ESTJ type of role, to sort things out, which will surprise even close friends who have only seen the gentle, quiet soul. But then, once they’ve made their point, their energies will be depleted, and they will disappear back to their own, quiet, introverted world of possibilities and harmony, often questioning whether they should have been so harsh and worried that they haven’t either shown too much of themselves (always a concern for the extremely private INFP) or, worse still, that they might have caused hurt to someone, which is never their intention.