Sally Struthers

Cute as a button and with a petite, porcelain prettiness and vulnerability that endeared her to the American public, Sally Struthers nabbed a series role in the early 1970s and became a solid part of TV history as a member of a dysfunctional family quartet in the milestone sitcom, "All in the Family" (1971). She was born Sally Ann Struthers on July 28, 1948, in Portland, Oregon and raised there, pursuing an acting career following high school. Relocating to Los Angeles, she trained at the Pasadena Playhouse College of Theatre Arts and earned a scholarship as its "most promising student". She performed briefly in regional stock plays until finding her break as both a commercial actress and dancer on TV. She appeared as a regular on such variety shows as "The Smothers Brothers Comedy Hour" (1967) and "The Tim Conway Comedy Hour" (1970) and showed starlet promise in films, as well as offering ditsy support in the Jack Nicholson starrer, Five Easy Pieces (1970), and the chase film, The Getaway (1972), top-lining Steve McQueen and Ali MacGraw. And, then came "All in the Family" (1971). Also starring Carroll O'Connor, Jean Stapleton and Rob Reiner, Struthers went on to win two supporting Emmy Awards as Kewpie-doll "Gloria Bunker Stivic". She and Rob Reiner left the show after seven seasons, both eager to grow. While Rob Reiner became a noted director, Sally made her Broadway debut in "Wally's Cafe" in 1981, and returned, four years later, with a gender-bending version of "The Odd Couple" as neat-freak "Florence" opposite Rita Moreno's slovenly "Olive". In addition, she found work in topical mini-series drama with Aloha Means Goodbye (1974) (TV), Hey, I'm Alive (1975) (TV), My Husband Is Missing (1978) (TV), ...And Your Name Is Jonah (1979) (TV), A Gun in the House (1981) (TV), to name a few. But without a hit show as collateral, offers started drying up. Sally returned to the TV series fold in the early 1980s spinning off her "Gloria" character with the self-titled sitcom, "Gloria" (1982), but the ensemble formula that worked so well for her before was missing here and the show died in its freshman year. To compensate, however, Sally's baby-doll voice worked extremely well for her in cartoons. She remained active off-camera, providing little girl voices for Saturday morning entertainment, notably her teenage "Pebbles Flintstone" character. Other voice-over work included "TaleSpin" (1990), as "Rebecca 'Becky' Cunningham", and puppeteer Jim Henson's creative prehistoric sitcom, "Dinosaurs" (1991), playing dino-daughter "Charlene Sinclair". IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net

Organised, caring and driven by duty the ESFJ personality type loves to contribute and remain constantly valued, productive, busy and liked. The ESFJ has an action-orientation that they will channel into people, helping and finding practical solutions to people issues and they'll work hard at making this happen as they are naturally oriented to the needs of those around them. Whilst the ESFJ wants everyone to feel valued, they will also want to feel part of the group themselves - they need to feel included. If someone is hurting, the ESFJ will be the first to respond.

The ESFJ character shares the same action-orientation of the ESTJ but with a people-based focus, they channel their drive, energy and practical nature into helping people. Driven by a sense of duty they are the cooperative, helpful, sympathetic and personable pragmatists, disliking anything ethereal or woolly as they prefer practical solutions to people issues, and they'll work hard at making this happen. Unlike the ESFP the ESFJ will want a plan and closure, they do not like loose ends or anything they perceive as sloppy or messy. As with most 'S's, they prefer the concrete, inhabiting a world of facts and the ‘here and now.’ Asking an ESFJ to sit and think things through or reflect before ‘doing’ is not easy as their natural propensity is for action; thinking is seen as a passive and useless activity. This means they will jump immediately into ‘sorting it all out,’ when at times if they’d taken a little longer to think they may have come up with a better solution. Organised, caring and driven by the known, routine comes naturally to the ESFJ who fear change as it is drags them out of the place where they feel they are strong and where they can contribute.

Conscientious and caring, the ESFJ will be good at follow-through and making sure the routine is taken care of, but may struggle with anything which appears complex, or which is perceived as not clearly getting the intended result or which causes conflict or disharmony. They value family links, friendships and tend to be slightly sentimental in their approach. Under pressure an ESFJ may become like the 'controlling parent,' smothering others in their attempt to provide support and believing that their way is best, becoming sensitive to any perceived criticism. Their values of ‘doing good’ and working hard to make sure things and people are taken care of are at the core of the ESFJ although they may at times try to instil these parental-style values in others, often using parental type words like "should," "ought" and "must." These are all said with a good heart and desire to help but the subjective nature of the ESFJ means that they may almost impose what they think is best in their desire for immediate practical help.

Being ‘F’s ESFJs may have trouble making more logical and factual decisions so driven are they by their values and wishing to maintain harmony, so their decisions will be primarily driven by the needs of those around them especially those close to them whom they feel a duty to ‘care for.’ Everything for the ESFJ becomes personalised and will be filtered through a more subjective ‘how do I feel about this person’ lens, rather than being objective and logical as a logical approach for the ESFJ is equated with being cold and harsh thus negating being helpful which is at the core of the ESFJ being. After a day interviewing I asked my ESFJ secretary to tell the successful candidate he’d got the job. “Was he the nicest?” she asked, “Did you like him best?" No issue of ‘suitability’ even crossed her mind! They tend also to have more of a ‘gate-post,’ binary mentality, seeing things in very black and white, ‘good or bad,’ ‘right or wrong,’ ‘nice or horrible.’ Being driven by feelings can also mean that the ESFJ gets hurt easily by any perceived or real criticism as everything is taken so personally, so factually and they can dwell on such criticism. Anything which appears complex or which has many shades of grey will be dismissed as it doesn’t conform to the ‘natural laws’ of ‘ESFJ common sense.’ They’ll want to jump in and help, which is why they were, according to their own values, ‘put on this earth.’