Sheila

Sheila (born Annie Chancel, 16 August 1945) is a French pop singer who became successful as a solo artist in the 1960s and 1970s, and was also part of the duo Sheila & Ringo with her husband singer Ringo. She also fronted a disco act called Sheila and B. Devotion. Her stage name came from the title of her first release, a French cover version of "Sheila", a hit by Tommy Roe.

Throughout her career, Sheila has sold more than 85 million records worldwide.

Sheila started her musical career in 1962, after being noticed by Claude Carrère, a French record producer and songwriter. Her parents signed a contract with Carrère for her, when she was 16; the contract led to an artistic collaboration which lasted for more than 20 years. In 1995, a lawsuit put an end to this life-time deal. She entered into a long royalties battle against her former producer, which she won.

Sheila had numerous hits in the 1960s, 1970s, 1980s and 1990s, playing the typical 'girl next door'. Her first hit was "L'école est finie" ("School is over"), in 1962 (1 million copies). It reached the #1 position in France.

In the movie, Eight Women, Ludivine Sagnier sang her 1963 hit "Papa t'es plus dans l'coup" ("Daddy, you are not in on it anymore"). Sheila's music also featured in the 1996 François Ozon film Une robe d'été (A Summer Dress). The character Sébastien is a fan of Sheila, and Sheila's version of Cher's "Bang Bang (My Baby Shot Me Down)" was on the soundtrack. "Les rois mages" also featured in "Ma vie en rose", a 1997 gender-bender film, "Love me baby", in 1978, "Attention les enfants regardent", with Alain Delon, "Spacer" in "Podium" (2004).

After more than a decade of targeting the French teen music audience, mainly in French but also in Spanish, German and Italian, Sheila made a change in her career by releasing "Les Femmes (Qu'y a-t-il dans le cœur des femmes)", a song by Christine Charbonneau in 1976. "Les Femmes" climbed to number one and stayed in the chart for three months. "Les Femmes" brought to Sheila a revolution of modernity, making her one of the idols of the French pop music.

In 1977, she started singing in English as Sheila and B. Devotion (in some countries records were under the name "Sheila B. Devotion") and changed her style to disco music. Sheila was accompanied by three male dancers who made up the "Black Devotion" in her routine. She enjoyed international success with hits such as "Singin' in the Rain", "Love Me Baby", "You Light my Fire" and "Spacer" (from the album King of the World, produced by Chic). "Spacer" is one of her biggest hits with more than 5 million copies sold worldwide. According to different interviews, she often said her experience with Chic completely changed her way of working and singing. It was the beginning of a deep artistic disagreement with her French manager Carrère, which made Sheila leave France, move to New York "to start all over again" and studied at the Actors Studio.

After her disco period, in 1981, Sheila (without the "B. Devotion" gimmick) recorded the rock album Little Darlin', produced by Keith Olsen, and was back in the U.S. Billboard chart. The title song became her only U.S. Billboard Hot 100 hit, reaching #49 in early 1982. ...

Source: Article "Sheila (French singer)" from Wikipedia in English, licensed under CC-BY-SA 3.0.

ISFJ personality types are the people-centric doers, using their considerable organisational ability to make sure people are taken care of and protected. They are extremely conscientious, hardworking, loyal and dedicated, to people, organisations, groups. Once they are allied to the cause they take their roles very seriously. They have incredibly clear and precise memories and are scarily accurate with facts, figures, names, faces - oh and any person who has slighted them! The ISFJ gathers facts and data and are painstakingly accurate with incredible attention to detail, and extremely methodical in their approach.

It may be possible to overlook the value of an ISFJ as they are the behind-the-scenes 'glue' for organisations and groups. Unlike the ESFJ who will be more outspoken, the ISFJ will work steadily and quietly to ensure all the routine details are taken care of, and that people are happy. Rarely will they share their own values, preferring to keep their own counsel and make their focus the needs of others. It would be a mistake to underestimate the ISFJ as, although they may give very little out in terms of articulating their feelings, their 'S' detailed type memory stores everything of relevance, they will quietly know everything that is going on and has gone on. Because they don't necessarily share their feelings this does not mean they don't have any. It is easy to transgress the values of an ISFJ without ever knowing you have done it. Their values are so intrinsic to them, such a part of who they are, and they therefore share them with very few people. In the team the ISFJ will be the quiet one getting things done, almost invisible at times, but the strong glue holding the team together.

Loyal, shy, devoted to the cause, the ISFJ has an intense need to belong and will work tirelessly for the cause and will channel their considerable energies into their work, or indeed anything which has been asked of them. They have incredibly clear and precise memories and are scarily accurate with facts, figures, names and faces. Detailed and methodical, everything is stored up, in perfect order, in pristine grey filing cabinets in their heads, and may come out later in a tirade of facts and evidence dating back a very long way.

Although generally shy and reserved, the ISFJ takes work, indeed anything they do, seriously and much prefer it when others do the same. They are caring, sympathetic and want to help, but do not need the kudos, indeed they may be suspicious of those who try to bestow compliments on them especially in the early stages of a relationship. The ISFJ exists only in the present (and the past!) and will use actual, real concrete past experiences to deal with present problems. This means they may struggle with concepts or trying to imagine a future indeed the future may appear scary as it is full of the unknown and the ISFJ prefers the known. This means that change and the new and untried can worry the ISFJ as they fear looking foolish and being ‘in the spotlight.’ The ISFJ loves to be appreciated but does not like constant scrutiny, expecting others to let them get on with it. Although private and shy ISFJs are often sociable and characterised above all by their desire to support others, the ‘need to be needed.’ In extreme cases, this need is so strong that standard give-and-take relationships can be deeply unsatisfying to them, however most ISFJs find more than enough with which to occupy themselves within the framework of a normal life. Since ISFJs, like all SJs, are very much bound by the prevailing social conventions, their form of ‘service’ is likely to exclude any elements of moral or political controversy; they specialise in the local, the personal, the obvious and the practical all in the here and now.

Although private and shy ISFJs are often sociable and characterised above all by their desire to support others, the ‘need to be needed.’ Conservative and dutiful, ISFJs like rules, protocols and conventions so that have clear groundrules within which to work. They would not like to wing it and like to be in possession of all the facts before they proceed as they have an underlying fear of getting it wrong. This means they will check and check again and so it is rare that an ISFJ will actually get it wrong, so worried are they about that happening.

Being SJs, they place a strong emphasis on conventional behaviour (although, unlike STJs), they are usually as concerned with being friendly, kind and sympathetic.