Stan Brakhage

Stan Brakhage is one of the most influential filmmakers in American avant-garde cinema, noted for his unflinching social commentaries and technical innovations. Over his nearly 40-year career, he has made over 200 films of varying length. He made his first film, Interim (1952) at age 18 after dropping out of college. Brakhage films seek to change the way we see. They encourage viewers to eschew traditional narrative structure in favor of pure visual perception that is not reliant on naming what is seen; rather his goal is to create a more visceral visual experience, for he believes that a "stream-of visual-consciousness could be nothing less than the pathway of the soul." To this end, his films are shot in highly sensual colors and utilize minimal soundtracks.

His work can be divided into distinct periods. His first short films explored the properties and possibilities of light. In many of his experimental ventures, Brakhage has forgone traditional cinematography in favor of working directly with the film stock itself. He has occasionally painted, inked, scratched and dyed images onto it; he has also tried pasting organic objects on the film. His most famous example is the 1963 short Mothlight in which he glued moth wings onto the stock. Some of his early films were based on his most intimate experiences that included making love to his new bride--depicted on negative film--in Wedlock House: An Intercourse (1959), and an attempt to bring his dead dog back to life with a camera in Sirius Remembered (1959). During the 1960s, Brakhage's iconoclastic views were celebrated for their poetry, but during the '70s, his focus changed to social issues and he alienated many supporters with such disturbing film series as the "Pittsburgh documents" in which he presented many gruesome views of inner city life with films such as Act of Seeing with One's Own Eyes (1971) which was shot in a morgue. He also continued with autobiographical material with the "Sincerity/Duplicity series. During the 1980s, Brakhage's focus again changed--this time he became intrigued with creating truly "abstract" films such as Arabics (1982) which consists of brilliant bursts of colored light which he claims, represent "envisioned music." In addition to filmmaking, Brakhage also wrote books about films and filmmaking and also served as a teacher.

To the INFP personality types life is a long quest for meaning and harmony and their personal values are so important to them. This means that it is essential to the INFP that their beliefs and their actions are totally in sync at all times. An INFP is unlikely to take any action which they don’t believe in their heart is right. Yet there is a crusading side to the INFP which would surprise even those who knew the person well. When a personal value, or belief is trodden on, then the INFP can become outspoken and turn on the transgressor. They are so private that their values are usually well hidden so that other people may not realise, but the INFP becomes like a champion of the cause and will be expressive, animated and at times go for the jugular.

The INFP has two contrary characteristics, curiosity and shyness. They love to know what's going on, feel excluded if not kept informed but prefer to be more in the background and not wanting to be the centre of attention. The INFP always wants to be invited to the party - even though the chances are they won't show up. There is a sensitive, caring side to the INFP which means they will be see the interconnections between people and pick up on the verbal and non-verbal cues.

Sensitive, caring and empathetic INFPs are excellent in supporting roles where people have to be looked after - especially if those people are close to the INFP. Because it can take so long (if ever) to get to know the INFP, others paradoxically may see them as slightly aloof, as they engage best when they have allowed someone into their inner sanctum. Optimistic and extremely positive, INFPs are the ultimate dreamers. Forward thinking and focused, they love the possibilities that life might bring.

An INFP does not like to be categorised. They value their autonomy, and feel 'different,' and any system, (including this one), which tries to 'define' or 'explain' them would be denigrated. The INFP would say, 'You can't put me in a box, I'm different,' indeed they would all say this. Optimistic and extremely positive, INFPs are the ultimate dreamers. Forward thinking and focused, they love the possibilities that life might bring. INFPs are extremely future oriented individuals who enjoy flights of fancy and savour potential and the many possibilities unlike their ISFP counterparts, who prefer to stop and savour the sensory, real experiences of “this moment” to the maximum. The ISFP will look down, immersing themselves in actual experiences whilst the INFP will always look up and forward, dreaming big dreams and loving the anticipation of what might come.

INFPs have the ability to see good in almost anyone or anything. Even for the most unlovable individual the INFP can have (often misplaced) empathy and even pity. Their extreme depth of feeling is often hidden, even from themselves, until circumstances see them project a seemingly uncharacteristic impassioned, and extraverted, response. Of course, life is not always harmonious, so INFPs are not immune from all of life’s problems, frustrations and disappointments that we all face.

However, they feel a duty to a higher calling, the greater good. So, although essentially idealists and extremely gentle individuals, INFPs, when their values are contravened, can adopt a more strident, crusading ESTJ type of role, to sort things out, which will surprise even close friends who have only seen the gentle, quiet soul. But then, once they’ve made their point, their energies will be depleted, and they will disappear back to their own, quiet, introverted world of possibilities and harmony, often questioning whether they should have been so harsh and worried that they haven’t either shown too much of themselves (always a concern for the extremely private INFP) or, worse still, that they might have caused hurt to someone, which is never their intention.