Stanley Kubrick

Stanley Kubrick (July 26, 1928 – March 7, 1999) was an American film director, writer, producer, and photographer who lived in England during most of the last four decades of his career. Kubrick was noted for the scrupulous care with which he chose his subjects, his slow method of working, the variety of genres he worked in, his technical perfectionism, and his reclusiveness about his films and personal life. He maintained almost complete artistic control, making movies according to his own whims and time constraints, but with the rare advantage of big-studio financial support for all his endeavors. Kubrick's films are characterized by a formal visual style and meticulous attention to detail—his later films often have elements of surrealism and expressionism that eschews structured linear narrative. His films are repeatedly described as slow and methodical, and are often perceived as a reflection of his obsessive and perfectionist nature. A recurring theme in his films is man's inhumanity to man. While often viewed as expressing an ironic pessimism, a few critics feel his films contain a cautious optimism when viewed more carefully.

The film that first brought him attention to many critics was Paths of Glory, the first of three films of his about the dehumanizing effects of war. Many of his films at first got a lukewarm reception, only to be years later acclaimed as masterpieces that had a seminal influence on many later generations of film-makers. Considered especially groundbreaking was 2001: A Space Odyssey noted for being both one of the most scientifically realistic and visually innovative science-fiction films ever made while maintaining an enigmatic non-linear storyline. He voluntarily withdrew his film A Clockwork Orange from England, after it was accused of inspiring copycat crimes which in turn resulted in threats against Kubrick's family. His films were largely successful at the box-office, although Barry Lyndon performed poorly in the United States. Living authors Anthony Burgess and Stephen King were both unhappy with Kubrick's adaptations of their novels A Clockwork Orange and The Shining respectively, and both authors were engaged with subsequent adaptations. All of Kubrick's films from the mid-1950s to his death except for The Shining were nominated for Oscars, Golden Globes, or BAFTAs. Although he was nominated for an Academy Award as a screenwriter and director on several occasions, his only personal win was for the special effects in 2001: A Space Odyssey.

Even though all of his films, apart from the first two, were adapted from novels or short stories, his works have been described by Jason Ankeny and others as "original and visionary". Although some critics, notably Andrew Sarris and Pauline Kael, frequently disparaged Kubrick's work, Ankeny describes Kubrick as one of the most "universally acclaimed and influential directors of the postwar era" with a "standing unique among the filmmakers of his day."

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Imaginative, quick and creative INTJ personality types are intellectually curious who can grasp complex problems and data, analyse them quickly and come up with solutions. They are the strategic problem solvers preferring the big picture to the mundane and set high standards for themselves and others. Getting close to the INTJ will take some time, and they may not always involve others in the decision-making process. This can make them seem slightly detached, but it is simply that the processing which takes place, (and a great deal of processing takes place), goes on inside their heads and this can make others feel a little left out.

INTJs are the deep, quick-thinking, imaginative, far sighted individuals, who have a crystal-clear view of the future, exactly how it ought to be, and they will then work logically and relentlessly to make it happen. Although quite deep and mistrustful until they have the measure of people, the INTJ loves an intellectual challenge and will be stimulated by the conceptual, the abstract and the complex. They love the complex, the new, the untried and untested. Facts and figures bore them, unless they clearly relate to something much bigger, and they will be looking to see the 'big picture,' planning for the future that they create.

Unlike an ENTJ who will happily engage in verbal jousts and so happily process their thoughts through speaking, the INTJ will be private and keep thought processes inside until they pop out perfectly formed with 'the plan of action.' This may be the first opportunity for others to even realise that so much was going on 'inside.'

INTJs make decisions based on rational logic, rather than emotion and they will be quite measured and dispassionate in their approach to other people. They generally have strong opinions, are independent thinkers, but they rarely feel the need to verbalise their thoughts, other than to come up with ‘the plan’ or ‘the answer.’ The INTJ’s dislike of the basic facts or anything that doesn’t have a wider meaning or context to them at times will work against them as they can make decisions based on their theories and concepts and they may overlook 'the obvious,' preferring to focus on the complex solution, which is where they thrive and are happiest.

Creative, complex and analytical, INTJs have intellectually curious, active minds, directed internally and their ‘N’ trait enables them to see very quickly and very clearly the interconnections between things and the longer-term implications of trends, current actions and events. They have a unique talent for analysing complex problems and issues and determining how they can be improved or solved, whether it be a small project, a simple problem or a whole organisation. However, they are strategic, as opposed to day-to-day, problem solvers preferring the innovative to anything they would see as tedious or pointless or routine. They set high standards for themselves and will be constantly looking to stretch, improve and learn, and will immerse themselves in a subject that takes their interest, so that they will quickly develop real expertise.

Being introverts, they internalise their thought processes and so are often viewed as slightly disconnected or impenetrable and difficult to understand. This is because they often leave a ‘void’ and when a void is left other people often fill the void with their own assumptions and predilections, rarely positive ones. So, one person may say “he’s not interested,” another may say “she doesn't like me,” and yet another “she is so full of herself,” all missing the point about the difficult to read INTJ who is primarily interested in intellectual issues rather than the more mundane aspects of everyday life.

Yet although introverted, when on their chosen subject, or explaining the most complex of theories, the INTJ can be like a wave of enthusiasm, lucid, passionate and engaging; but when it’s over, it’s over, they will disappear back to their intellectual pursuits, alone. The INTJ will get their thrill from proving they were right in their hypothesis, proving this to themselves, not anyone else as they are, of all the types (along with INTP), the most independent of thought and action.