Wesley Snipes

The Adventurer

ESTP

Wesley Snipes Personality Profile

Wesley Snipes Personalaity profile - estp

Wesley Trent Snipes (born July 31, 1962) is an American actor, film producer, and martial artist. He has starred in numerous action-adventures, thrillers, and dramatic feature films and is well-known for his role as Blade in the Blade trilogy. Snipes formed a production company titled Amen-Ra Films in 1991 and a subsidiary, Black Dot Media, to develop projects for film and television. Snipes has been training in martial arts since age twelve, earning a high ranking 5th dan black belt in Shotokan Karate and 2nd dan black belt in Hapkido. He has also trained as a student of Capoeira under Mestre Jelon Vieira and in a number of other disciplines including various styles of kung fu. At age 23, Snipes was discovered by an agent while performing in a competition. He made his film debut in the 1986 Goldie Hawn vehicle Wildcats. Later that year, he appeared on the trendy 1980's TV show Miami Vice as a drug-dealing pimp in the episode 'Streetwise' (first aired December 5, 1986). In 1987, he appeared as Michael Jackson's nemesis in the Martin Scorsese-directed music video "Bad" (he is seen in only the long version of the video) and the feature film Streets of Gold. That same year, Snipes was also considered for the role of Geordi La Forge in the TV series Star Trek: The Next Generation. Snipes' performance in the music video "Bad" caught the eye of director Spike Lee. Snipes turned down a small role in Lee's Do the Right Thing for the larger part of Willie Mays Hayes in Major League, beginning a succession of box-office hits for Snipes. Lee would later cast Snipes as the jazz saxophonist Shadow Henderson in Mo' Better Blues and as the lead in the interracial romantic drama Jungle Fever. Another important role for Snipes was the powerful drug lord Nino Brown in New Jack City, which was written specifically for him by Barry Michael Cooper. Another film in which his character was involved in drugs was the somber movie Sugar Hill. Although Snipes is more known for his roles in action films like Passenger 57, Demolition Man (with Sylvester Stallone), Money Train, U.S. Marshals (a sequel of The Fugitive) and Rising Sun (with Sean Connery), he has also had success in comedies like White Men Can't Jump, and To Wong Foo, Thanks for Everything! Julie Newmar where he played a drag queen together with Patrick Swayze and John Leguizamo. Snipes has also been critically acclaimed for his roles in dramas like The Waterdance and Disappearing Acts. Snipes has been married twice; first, to April Snipes from 1985-1990 with whom he has a son, Jelani Asar Snipes, born in 1988. Jelani had a cameo role in Snipes' 1990 film Mo' Better Blues. In 2003, Snipes wed painter Nakyung 'Nikki' Park, who is the mother of his four youngest children: son Akhenaten Kihwa-T Snipes; daughter Iset Jua-T Snipes (born July 31, 2001); son Alaafia Jehu-T Snipes (born May 26, 2004); and son Alimayu Moa-T Snipes (born March 26, 2007). Snipes spends a lot of time in Park's home country of South Korea, which he calls his "second home."  

Extraverted, Sensing, Thinking, Perceiving

The ESTP personality type is constantly looking for action, for the 'next big thing,' throwing themselves in social activities, difficult situations and projects with real zest and energy. The imaginative, reflective life is not for them, preferring to jump in and see what happens. Supreme optimists, ESTPs will work long and hard on activities which interest them but can switch tack entirely once they begin to lose this interest. The ESTP does not enjoy the constraints of deadlines, schedules or end-dates so if an ESTP does exactly what you asked them, it is only because they wanted to do so in the first place. ESTPs love to be at the centre stage, demonstrating feats of wonder and daring.

Wesley Snipes Characteristics

An ESTP will need lots of practical, real-life experiences as it is through such activities that they best learn and understand, and indeed where they are happiest and at their best. The 'P' aspect of their characters means that they are flexible, but this can also mean they become bored by routine, procedures which they see as irrelevant, and impatient with those who say: 'let's think about it first.' The ESTP wants to suck it and see and, if it doesn't work, well there will always be another opportunity just around the corner. Real hard workers, ESTPs will immerse themselves activities which interest them, but they’ll become bored and lose interest if the task becomes more steady state and then their energies will become depleted or focused in a totally different direction. The ESTP is pragmatic, tough-minded and will act on the facts and data, rather than emotion. They don't like to be controlled, need to know they can switch horses in mid-stream and may slide out of obligations, if they get a 'better offer.' An ESTP will generally be able to switch tasks with good nature and humour, will enjoy interaction and 'the craic.' Being so action-oriented, the ESTP will look to get on with it and may therefore jump in without being in possession of all the facts as the excitement and rush of potentially interesting action will spur them on. This makes them excellent champions for the cause, provided someone is checking progress and can sweep up any debris behind them. The ESTP sees life through their own very subjective lenses and it is a fun packed, great-tasting adventure with one sensory experience after another. They jump into the ‘next big thing’ without thinking through the consequences so keen are they to immerse themselves in something new. If the project needs an injection of energy or there’s a big immediate problem, step forward the ESTP. They are spontaneous, active individuals.

If the project needs an injection of energy or there’s a big immediate problem, step forward the ESTP. ESTPs are spontaneous, active individuals.

Strong ‘T’ types the ESTP may often forget to factor in the implications on other people as this new experience is to be grasped immediately and anything that stands in the way may be inadvertently trampled underfoot in the rush. The impulsive nature of the ESTP can see them cut to the car chase and bring great energy to bear on any new project that captures their interest, but this expedient side can also see them drop the idea once the initial fascination has passed and a new experience is ready and waiting. This need for excitement means the ESTP will learn ‘on the hoof,’ by actually throwing themselves into the experience without thought or planning, and “let’s see what happens.” Every new experience is ‘the big one’ and will consume their energies, attention and time until…er...it doesn’t! The ESTP loves to get involved and will be great at enthusing others although their expedient side means that once others have been through several cycles and see how they operate there may be a feeling of ‘here we go again’ and ESTP leaders can create ‘initiative fatigue’ in organisations and staff, with their constant desire to try out new activities, ideas and projects.

Theories or anything conceptual makes the ESTP restless, bored and then they will disconnect from the process and go look for something else, often without telling anyone. The ESTP has an attention span which is very short and their energies wane if they think they’re ‘treading water.’ Having to sit and read or reflect would just not ‘compute’ with the ESTP and so they would move on, swiftly and often leaving debris in their wake. Follow-through isn’t the forte of the ESTP but if the project needs an injection of energy or there’s a big immediate problem, that is where they excel. Like the other SPs, ESTPs love acting on impulse. Activities involving power, speed, immersion and risk are attractive to the ESTP and supressing these de-energises them. The ESTP may be the ‘first to try it out,’ but then they’re onto the next experience as soon as it becomes predictable, the need for the thrill outweighing anything else.

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