John Carpenter

An American film director, screenwriter, producer, editor, composer, and occasional actor. Although Carpenter has worked in numerous film genres in his four-decade career, his name is most commonly associated with horror and science fiction. Most films in Carpenter's career were initially commercial and critical failures, with the notable exceptions of Halloween (1978), The Fog (1980), Escape from New York (1981), and Starman (1984). However, many of Carpenter's films from the 1970s and the 1980s have come to be viewed as cult classics, and he has been acknowledged as an influential filmmaker. Cult classics that Carpenter directed include: Dark Star (1974), Assault on Precinct 13 (1976), The Thing (1982), Christine (1983), Big Trouble in Little China (1986), Prince of Darkness (1987), They Live (1988) and In the Mouth of Madness (1995). His films are characterized by minimalist lighting and photography, static cameras, use of steadicam, and distinctive synthesized scores. Carpenter is also notable for having composed or co-composed most of the music of his films; some of them are now considered cult as well, with the main theme of Halloween being considered a part of popular culture. His music is generally synthesized with accompaniment from piano and atmospherics. He released his first studio album Lost Themes in 2015, and also won a Saturn Award for Best Music for Vampires (1998). Carpenter is an outspoken proponent of widescreen filming, and all of his theatrical movies (with the exception of Dark Star and The Ward) were filmed anamorphic with a 2.35:1 or greater aspect ratio. The Ward was shot in Super 35, the first time Carpenter has ever used that system. Carpenter has stated he feels that the 35mm Panavision anamorphic format is "the best movie system there is", preferring it over both digital and 3D film. Many of Carpenter's films have been re-released on DVD as special editions with numerous bonus features. Carpenter has been the subject of the documentary film John Carpenter: The Man and His Movies, and American Cinematheque's 2002 retrospective of his films. Moreover, in 2006, the United States Library of Congress deemed Halloween to be "culturally significant" and selected it for preservation in the National Film Registry. In 2010, writer and actor Mark Gatiss interviewed Carpenter about his career and films for his BBC documentary series A History of Horror. Carpenter appears in all three episodes of the series. He was also interviewed by Robert Rodriguez for his The Director's Chair series on El Rey Network. Many filmmakers have been influenced by Carpenter, including James Cameron, Quentin Tarantino (The Hateful Eight was heavily influenced by The Thing), Guillermo del Toro, Robert Rodriguez, Edgar Wright, Danny Boyle, Nicolas Winding Refn, Bong Joon-ho, among others. The video game Dead Space 3 is said to be influenced by Carpenter's The Thing, The Fog and Halloween, and Carpenter has stated that he would be enthusiastic to adapt that series into a feature film.

The ISTP will be full-on, or full off - they don’t do shades of grey. The ISTP personality type moves seamlessly from quiet bystander to active participant and leader in one fell swoop, then back again to invisible, apparently disinterested introvert. They are at their best in times of crisis and challenge, but will have little appetite for follow-through, as they will be waiting for the next challenge. Independent and self-contained the ISTP, although not unfriendly, will be difficult to get to know as they tend to reveal only what they choose to and that is over time when they are ready.

The ISTP is one of the most complex character types either in the thick of the action, leading and solving problems, or with nothing to say. The issue is they only say what needs to be said, they are economic in the extreme. This is because ISTPs are driven purely by challenge and this will determine how involved they want to be, how big is the challenge? They are at their best in times of crisis as they need very little preparation and able to cut to the chase with no preamble or discussion with others, spontaneously jumping in to solve problems or deal with crises often surprising those who had seen them as on the periphery of things. However, once the task is finished or problem solved, they will be looking for the next big thing to throw themselves into.

The ISTP is self-sufficient and very independent, only really happy when undertaking some risky or interesting activity. Direct to the point of abruptness and tending at times to tread on toes, the ISTP tends to speak literally showing little concern for the impact, and they display coolness under pressure which helps get things fixed but which may not endear them to those around them, (even those for whom they’ve fixed something). They are not unfriendly individuals but ultimately the ISTP wants to be left alone to live their lives and do their jobs the way they see fit, rarely trying to control others and expecting others not to try to control them. But in a crisis, or when the situation needs in-depth understanding, the ISTP will thrive, at least until the crisis is over. Once they are clear on what needs to be done, they will be difficult to budge and will potentially move too quickly without thinking through all the implications as they just love the thrill of action. The switch may appear as from someone who is almost exclusively listening to someone who just doesn't listen. The ISTP dislikes theories and complexities, preferring facts and data which will help get the job done in the quickest possible time and with the minimum amount of effort.

The ISTP is the ultimate trouble-shooter, able to unpick and understand how things fit together and then fix them. The ISTP doesn’t follow social rules, nor do they need to engage fully with others and this can give them a distant, aloof persona to others who often don’t quite know where they stand. Practical, resourceful, adaptable pragmatists, ISTPs have excellent powers of observation, a capacity for understanding how anything works, displaying logical, detached analysis. The ISTP has a great ability to analyse facts and store data. This is all internalised, stored in the grey filing cabinets in the brain until called for. Then, when someone argues with the ISTP, the facts, data, empirical evidence, knowledge are brought quickly to bear to quash the argument, quickly and finally. The independent streak in the ISTP means that they will usually display confidence in their own abilities but means they may not bring others into the decision-making process. They are quick and economic and so their desire to get a result in the minimum amount of time and fuss means they may overlook the personal touch and make them fail to see the 'bigger picture,' and so, by quickly solving a problem, they may create another.

The ISTP is very difficult to read. Their areas of interest tend to be mechanical and physical but unlike most SPs they don’t need constant action, they actually lie low, storing all the data saving their energy until a project or an adventure they consider worth their time and effort arises, and then they launch themselves in completely. They work in short bursts of incredible energy, loving fixing and sorting, especially factual mechanical issues but, when it's over it's over, no reflection, no discussion, no hanging in there, they've gone.