John Lewis Hart, also credited as John Hilton was an American film and television actor. In his early career, Hart appeared mostly in Westerns. Although Hart played mostly minor roles in some fairly well known films, he was probably best known for having replaced Clayton Moore in 1952 in the television series, The Lone Ranger for one season from 1952 until 1953.
Hart began his screen career in 1937 with a bit part in Daughter of Shanghai. He continued in a variety of B pictures such as Prison Farm and King of Alcatraz before appearing in two of Cecil B. DeMille's films The Buccaneer and North West Mounted Police. In 1941, Hart's acting career was interrupted when he was drafted into the United States Army. He rose to the rank of first sergeant in the Coast Artillery and eventually served in the Philippines. Following his military service, Hart worked frequently for Sam Katzman; he was given the lead role in the Jack Armstrong film serial. Hart did stunt work and acted in numerous Westerns
Hart was eventually offered the opportunity to replace Clayton Moore on The Lone Ranger television series. Based on the assumption that the masked character, rather than the actor, was the true star of The Lone Ranger, the program's producers fired Moore (presumably over salary differences) and replaced him with Hart, who was of a similar build and had a comparable background in Westerns. However, the public never truly accepted Hart as the Lone Ranger, and by 1954 the producers returned Moore to the role. According to Clayton Moore's autobiography I Was That Masked Man, Moore never knew why he was replaced by Hart, and also stated that he had not sought a pay increase. Hart acted in minor roles in two episodes of The Lone Ranger before being asked to replace Clayton Moore for the entire third season. The episodes were "Rifles and Renegades" (#34) and "Sheriff at Gunstock" (#46).
Hart continued to act in films for more than two decades, appearing in films of several genres, almost always in supporting roles. Hart appeared twice in on the TV series I Love Lucy as Lucy's old boyfriend and again in the Hollywood episodes as a lifeguard at the hotel pool. In 1955, Hart starred in The Adventures of Captain Africa, which was originally intended to be a new movie about famous comic book hero The Phantom. However, licensing issues forced Columbia Pictures re-film the entire serial and re-christen the hero "Captain Africa." Hart also had numerous supporting roles in the Highway Patrol TV series. In 1965 Hart made two brief appearances on the TV series Perry Mason, including the role of title character and murder victim Jamison Selff in "The Case of the Wrathful Wraith." In the 1970 film The Phynx, Hart played the Lone Ranger alongside Jay Silverheels as Tonto, spoofing their characters. Hart's last theatrical film appearance was in 1981's The Legend of the Lone Ranger in which he appeared as a newspaper editor. He appeared in the television series Happy Days as the Lone Ranger in the episode "Hi Yo, Fonzie Away". In this episode Fonzie, played by Henry Winkler, meets his childhood hero, the Lone Ranger, for his birthday. Hart's other major late appearance was in an episode of The Greatest American Hero, My Heroes Have Always Been Cowboys, where Hart gives the title character an inspiring speech about heroism.
Serious-minded, individualistic and thorough, the ISTJ personality types like to plan, schedule and drive through to completion, in a logical linear sequence. Any deviation from the plan would be questioned and may take some convincing of its merits. The ISTJ is essentially the engine room, the behind-the-scenes worker making it happen. Concentration, willpower and persistence epitomises the ISTJ approach to work and to life and they will begin at the beginning and end at the. Spontaneity and flexibility are less important to the ISTJ. Conservative and risk-averse ISTJs excel when it needs a steady hand and they are unlikely to ever drop the ball.
The ISTJ is the behind-the-scenes worker making things happen. Their sense of duty and loyalty means that they will rarely be happy in the front line, preferring to be in the back room making it all happen. The ISTJ is the sensible, ‘prefect-type’ character, who wants to get it right and 'do good.' Their value to the team is protection, from mistakes, from omissions, from self-delusion and from going off-track. The ISTJ loves seeing things come to fruition. Ideas, complexity and imagination are of value only if they lead to a practical end result. An ISTJ needs to be clear on what is expected, and then will plan and work with consistent and steady energy towards completion. Their opinions will be slowly arrived-at and, consequently well-thought-through, tried and tested. The ISTJ is not prone to bursts of emotion, flying by the seat of their pants nor will they thrive in a chaotic environment, unless they have the opportunity to formalise it and make it non-chaotic.
Serious-minded, individualistic and thorough, the ISTJ may focus so much on the task that they can forget the needs of others, including themselves. ISTJs like to plan, schedule and drive through to completion, in a logical linear sequence. Any deviation from the plan would be questioned and the ISTJ may take some convincing of its merits. An ISTJ can be trusted to complete, to work hard and play by the rules. However, they may not always articulate how they are feeling or even how things are progressing. The ISTJ plans the work and works the plan, so why should there be any need for up-dates. They naturally tune into the actualities and specifics of life and thus they will be reliable, loyal and work with existing, known facts and data. Conscientious, hardworking and serious about their undertakings ISTJs are built for attrition, to work tirelessly in achieving the agreed goals. The ISTJ may not have been the one to set the goals but they will make sure they are met - to the letter, working methodically, carefully and taking it very personally. Everything is taken literally (with no irony) and they pride themselves on being careful and accurate about ‘the facts.’ ISTJs are built to execute, exactly as agreed.
Quiet and thoughtful, the ISTJ work best when they are clear on what is expected and then allowed to get on with it without interruption or interference from others, preferably in a familiar way in familiar surroundings. The ISTJ does not like being thrown in at the deep-end and they have to feel that whatever they are being asked to do makes logical sense. The new, the untried worries the ISTJ as they rely instinctively on experience and prefer the known and the traditional and, as they learn best through doing so any activity with which they have no direct first-hand experience will cause a wariness and mistrust initially. Sure, the ISTJ can change but they need to see a logical reason for doing so, and they’ll need to think it through. Anything perceived as woolly will not compute. Conservative, risk-averse and methodical ISTJs come into their own when it needs a steady hand and abject attention to detail. And they are unlikely to ever drop the ball. The ISTJ will not be prone to say: ‘let’s give it a whirl.’
Others may see them as slightly cold and impersonal, possibly even uncaring. However, their decisions are based on what makes the most logical sense and as such this can mean the feelings of others may not necessarily be factored into this process. The ISTJ will then systematically carry out the task diligently and to the letter, which can make them appear inflexible, but this is simply a sign of the seriousness with which they embrace responsibility.
ISTJs will begin at the beginning and end at the end, no deviations. They have a keen sense of what’s right and wrong, are known for dedication to duty, and so doing things right, being punctual, doing what they say they’ll do, are the values they live by.
Choose another celebrity type to compare side by side the different approaches work, attitudes to conflict and the way they engage with others.